Tuesday, 4 February 2014

MUSIC VIDEO HISTORY

Definition of a Music - A short film/video produced for promotion of the artists music. This means that music video is made to compliment the music and broaden its target audience. 



Music videos have developed heavily since 1894 where they first were developed George Thomas who projected a series of images onto a screen while music was playing for the song "The little Lost Child" and invented the first 'Illustrated song'. Since then music videos have developed through a number of eras to get to where they are today. First was the Phonoscene era between 1902 - 1917 this was where a short film was filmed off the actors lip syncing to the words of their music and then the recording and of the music and the video was later syncronised by a man called Leon Gaumont. This were first shown in france. 

Next was known as the Talkies, Soundies and Shorts era between 1926 - 1959. Technology had developed ex potentially and producers such as Warner Bros were now directing music videos more like short musicals featuring dancers, bands and vocalists. Shorts were usually around 6 minutes long and was a mix of art deco animation with the film of the artist. Soundies were usually musical styled videos around 3 minutes long and alot more performance based in comparison to shorts which were classed are narratives. Soundies were most common in jazz musicians to display and show off there musical talents with the instruments. As time progessed towards the like 50's both shorts and soundies started to combine. Dancers were usually involved with the videos because recording of "miming" along with the music usually werent as high quality as wanted and the term "music video" was finally devised by a disk jockey singer called J.P Richardson.

With the arrival of the 1960's came the start of a new era known as the "Visual Innovation era". Video had improved in quality with colour being defined and sharped allow artists to now sing along in time with the music for lengthy clips without notice. Pre recording the music and then lip syncing on film became alot more possible. With the invention of scopitone, a visual jukebox, music videos were able to be watched and seen in public more commonly which kick started the "Visual innovation" in short film artists to stand out and be acknowledged in the public. This quickly spread across the world especially into Western culture producing similar products such as the "cineBox" and "Color-Sonic" (The first coloured version). One of the earliest music videos to become highly popluar and hit was Jan & Deans "surf city" which based their video is the malibu surf beach, known for capturing the vibe and atmosphere of the area. 



Finally in 1964 came the first of the Music legends with the rise of "The Beatles". These had a dramatic effect on music videos. There first album was shot in black and white, and was depicted as mock documentary against there rivals "The Monkees". However as the band grew and with the release of their new album "Help" they jumped onto colour film and produced multiple sequences all in shot in a london studio but based in serial international locations from Switzerland to the Bahamas, trying to convey the adventure they were having as a band. The band experiment with different camera techniques from cross cuts and focus pulls. They then produced a few promotional clips to help with publicity especially in America. 



The clips were especially high quality and were the first time music videos had included editing effects such slow motion and rhythmic editing (in time to the beat). 


We these new clips pushing music videos to a new levee; and strategically devised to promote the sales sparked a new style and era of videos. Music videos started to have political or social messages in them, prime example as Bob Dylans "Subterranean Homesick blues". Despite being in black and white it was still very popular because instead of the lead singer singing along with the lyrics he pulled out cards with the lyrics on each some with visual messages. This song also was the home of the very famous saying "You don't have to be a weather man to know which way the wind is blowing".



This was also the start of narrative music videos instead of the prevous performance based videos. The Who produced serial narrative and promotional clips. There song "Happy Jack" was accompanied by the bang dressing up and acting as a gang of thieves. Other bands quickly followed in The Beatles tracks from The Moody Blues , 1967, The Small Faces, 1967 and The Doors 1968. The next few years had a series of great names all producing similar work from the rolling stones in 1967 to David Bowie in 1973.




Finally in 1974 came the beginning of music television. In the UK came the birth of the very famous long running TV show call Top of the Pops (TOTP) which was presented on the BBC. Good videos dramatically increased the sales of the song over the next week which made it extremely competitive for music artists to produce the best music and then look good for the camera when filmed on the show. In 1980 David Bowie got his first number 1 hit in a decade due to a clever promo done by director David Mallet for his song "Ashes to Ashes". 





In 1981 music videos go mainstream with the starting of Music Television or MTV which provided music videos and music related programs 24 hours a day. Video recording and editing equipment had come down in price dramatically making it a viable option for most artists. In 1983 the most influential and famous music video of all time was released, Michael Jacksons 14 minute long "Thriller". The video set new standards for production and cost around $500 000. In the next few years with growing popularity of MTV after Michael Jacksons surge, several other music channels opened such as VH1 (Video Hits 1), MTV Asia, Yo! MTV Raps and Canadian MuchMusic. 


Different genres of music start to form and become more popular with the increased promotion on the channels, especially hip hop. However in 1992 music videos were viewed as a necessity for the artist and this lead to the introduction of directors. Artists started to pay for film directors with the production of the video. Each director brought a unique turn to the music video industry as the artists were fighting for the "lime light". 



Budgets got a lot higher for music videos due to the promotion and attention they were getting. For example two of the most expensive recorded were Michael & Janet Jacksons song "Scream" which cost $7 Million to produce and Madonna's "Bedtime story" which cost $5 million and were both directed by Mark Romanek. Music channels were rapidly growing with MTV bringing out even more channels depicated to specific countries and even a second "senior" channel, MTV2. 



In 2005 came the launch of Youtube and internet became the new playground for music artists to promote their music. At first Youtube was slow to get running but with the introduction of artists such as Soulja Boy and Marie Digby created quite memorable videos and posted them on the youtube the website grew in popularity immensely and became a breeding ground for new upcoming artists seeking attention. In 2009 30 Seconds to Mars' song "Kings and Queens" was one of the first ever songs to hit 100 million views andwith the bench mark being set, there was a craze to become the most viewed on youtube. In late 2009 Vevo a music video was set up with syndicated with youtube and google sharing advertising but also allowing artists to be found and discovered alot easier. 

Monday, 3 February 2014

CONVENTIONS OF MUSIC VIDEOS DEPENDENT ON GENRES

There are many different conventions for music video's depending on the genre. Through looking at music videos from different genres of music, I have developed an understanding of what genres of music expect from their music videos. I have briefly described my understanding of the codes and conventions of music videos, according to their genre:


Rock/Metal - Through looking at Rock/Metal artists music videos, I have developed an understanding of the traits that are present in most of this genres music videos. The hue of the videos are usually quite dark, but with high contrast levels, to give the video an overall dark and edgy tone. The music videos are usually incredibly performance based, shots covering the whole band playing, yet focusing mainly on the front vocalist. Narrative music videos are also used, however I would say it is very likely that a narrative video would also show many shots of the band performing. The story lines are usually dark, to match the dark sound of the music, and dark meaning of the lyrics. The performance it's self usually has a dark and 'scary' tone to it, the performers are usually dressed in completely in black, appearing as stereotypical rock/metal listeners/performers with multiple piercings, dark make-up, and a dark and edgy demeanour. The editing is usually snappy and fast paced, to match the normally fast tempo of rock/metal songs.


Pop - Music videos that belong to the genre of pop are usually extremely performance based, with the singer, or band lip syncing throughout the song, as well as performing via dancing or in a narrative story that reflects the meaning of the lyrics. The overall tone and hue of the video will be very bright, with the artist wearing bright trendy mainstream clothing. If the lyrics are or a more sad nature, the overall tone of the video may be brought down a little, but will still be quite bright. In pop music videos the main artists are almost always present in their music video in some shape of form. Pop music videos are usually fun and light hearted to appeal to a younger audience.

RnB - This genre of music video usuallyhas a light tone to it, the hue is usually bright similar to pop videos. Typically the video will involve the artist in a narrative setting or simply performing in a setting such as a nightclub, mansion, beach etc. There areusually dancers present, to reflect the sound of the music. The clothing is usually revealing on women, and show the wealth of the artist, with lavish jewelry and expensive cars. The narrative of the story usually reflects the lyrics of the song, and like pop videos usually the artist will lip sync throughout the video. Again similar to pop music videos RnB videos have a good, positive, lighthearted feeling to them.

Indie
 - This genre of music videos has a huge variety of conventions, the hue can be dark, bright or black and white depending on the tone of the lyrics. Indie music videos are also split generously between being solely narrative, and performance based, sometimes the artists do not even feature in the music video for their songs. However Indie music videos can be performance based either featuring the entire band, or simply featuring the main vocalist. Narrative music videos in the Indie genre are typically quite arty, and symbolic, rather than spelling out exactly what the lyrics say.

CONVENTIONS OF MUSIC VIDEOS


All music videos have to represent certain codes and conventions.
The 5 main music video codes and conventions are:

1. Lyrics - They establish a general tone to the song, and address the storyline or subject matted. Key lines sometimes play a significant part in the visuals, but rarely would there be a full interpretation, and sometimes the lyrics do not directly correlate with the music video, it may just be the tone or mood of the lyrics which is conveyed in the music video

2. Music - The tempo of the track should drive the editing of a music video, fast paced music should mirrored with fast paced editing, and slow paced music should be accompanied with slow paced editing. furthermore particular sounds in a track may be foregrounded and emphasised on screen, for example if the video was performance based there would be a close up of the guitar or drums.

3. Genre - Each genre carries its own codes and conventions, a viewer would expect to see. This would be reflected in the mise-en-scène, the camera work and editing style. I have highlighted the different codes and conventions of music dependant on genre in a separate post.

4. Camerawork - How the camera is used and how images are sequenced has a significant impact on meaning. The angle, movements and shot distance would fluctuate depending on the music. Up beat tones are likely to require more dynamic camerawork.

5. Editing - In the process of filming the director and camera worker must film to edit. Some music videos would feature fast cut montages (sometimes containing of random images). This then encourages repeated viewings in case the viewer missed anything the first time. The editing helps to establish the mood, and is sometimes is used to fragment the narrative.

Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. Therefore music video's will usually include the artists, to allow the viewers to identify with the artists and aspire to be like them. Therefore music videos have to be incredibly aestheticallyappealing and captivating. Once an artists is established they can then use narrative music videos rather than performance based music videos, which is virtually a short film that corresponds in some way with the music, perhaps the tone, the actual lyrics or just the sound of the music. Music videos use a wide range of styles of film making techniques, including animation , live action filming,documentaries, and non-narrative approaches such as abstract film.